This film explores a Parisian woman's descent into prostitution. A man who was walking past Nana asks if he can join her (as he assumes she is also a prostitute), she says yes and they enter a nearby hotel. Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Yvette's pimp, Raoul, is also at the diner and Yvette walks over and tells him he should speak to Nana. View production, box office, & company info. Title: Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. The film was shot over the course of four weeks for $40,000.[1][2]. This film explores a Parisian woman's descent into prostitution. Movie & TV guides. A small-time thief steals a car and impulsively murders a motorcycle policeman. After the film is over Nana ditches her date so that she can meet up with a man who promised he would take some photos of her for career exposure aa an actress. Keep track of everything you watch; tell your friends. The man requests she ask some of the other prostitutes in the hotel to join them, but once one does the client says he doesn't want Nana to join, so she sits on the edge of the bed and patiently has a smoke. Nana makes a good impression on Raoul and the three play a game on the pinball machine when suddenly a police shootout occurs outside the diner and a man who had been shot runs inside. Read reviews from world’s largest community for readers. Was this review helpful to you? Best Horror Movies. I slip it into the machine, and within five minutes I am so fascinated that I do not move, I do not stir, until it is over. [citation needed]. It’s the moment when Falconetti’s Joan has been sentenced to die at the stake. The lovely Anna Karina, Godard's greatest muse, plays Nana, a young Parisian who... Read more . He tells Nana that he thinks it would be better for her to stay and work in Paris instead of where she was planning, as she will make more money here. Nana felt guilty for stealing the money so she gave it back to the woman, but she still pressed charges for this. The French New Wave remains one of the finest movements in film history. It's about the beautiful Anna Karina and it's about tragedy. "[7], Stanley Kauffmann of The New Republic described My Life to Live as empty and pretentious. Nana reflects on her own identity. France. [citation needed] And Jean Douchet, the French critic, has written that Godard's film "would have been impossible without Street of Shame, Kenji Mizoguchi's last and most sublime film. The story is divided into 12 episodes of a woman life, Nana, and follows her descent into prostitution. Le Monde ( 2002 ) Le formalisme met en lumière l'aventure presque autonome de la langue qui se détache du sujet et semble vivre sa vie propre. Budget. Vivre sa vie underscores an obsession with mimesis, defined in strict accord with the roots of prostitution, in the ways the film works through the etymology of prostatuere. Since she just left her husband, who was already struggling financially, she has not been able to make much money on her own and is worried she will not be able to afford rent. VIVRE SA VIE (DVD) A film by Jean-Luc Godard. A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism. Directed by Jean-Luc Godard. Later, Nana is on the street and picks up a client whom she takes to a hotel. In the United Kingdom, the film was released under the title It's My Life. Tags: vivre sa vie, my life to live, 1962, godard, anna karina, jean luc godard, french new wave, cinema, film, breathless, criterion, bande a parte Vous donnez un sens à votre vie jour après jour avec vos propres actions et pensées. She enters a café where she has a philosophical discussion with an old man sitting in the booth next to hers. Vivre Sa Vie Godard may have been influenced by it, as Vivre sa vie uses several alienation effects: twelve intertitles appear before the film's 'chapters' explaining what will happen next; jump cuts disrupt the editing flow; characters are shot from behind when they are talking; they are strongly backlit; they talk directly to the camera; the statistical results derived from official questionnaires are given in a voice-over; and so on. However, this film differed from other films of the French New Wave by being photographed with a heavy Mitchell camera, as opposed to the light weight cameras used for earlier films. The lovely Anna Karina, Godard’s greatest muse, plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute, her downward spiral depicted in a series of discrete tableaux of daydreams and dances. Raoul explains the basics of being a prostitute to Nana: what she does, how to conduct herself, how much she charges and earns, when and where she works, laws relating to prostitution, what to do if she gets pregnant, and so on. The film tells the story of Nana Kleinfrankenheim (Anna Karina) over 12 "episodes", each preceded by a written intertitle. Posted by victor as Discussion and Mind-Probing, Films (and stills from the films) analyzed, Jean-Luc Godard In one of Vivre Sa Vie’s 12 chapter-like “tableaux,” and one of the most famous scenes in Jean-Luc Godard’s career, star Anna Karina watches Maria Falconetti’s unsettlingly raw performance in Carl Dreyer’s The Passion Of Joan Of Arc. 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